Craft a Scene- A Winters Tag

Well, this is my second post for the DT challenge this month.
 I remembered seeing an interesting piece on Kevins Stampscapes site a while ago, so I went and had another look at it, and I thought it would work well for this challenge.

You can see Kevins original tutorial here, called ‘Winter Flurry’.

What Kevin did was to use a piece of pearlescent card as his base card, and streaked on colour using a stylus tool. He used Marvy inks, which I don’t have, and I have not really got a good technique yet with the stylus  tool, so I streaked ink direct from my inkpads onto an A5 sheet of pale blue pearlescent card.
    First colour was an Ancient Page inkpad called Flannel- a mid grey colour. I dragged this across the cardstock in a few places, lightly.
 I followed this with Stonewashed & Denim Adirondack ink, and then Weathered Wood Distress ink. You can see that I haven’t bothered about completely covering the cardstock, and because its a pale blue, you get a lovely shimmer to the rocks & snow.
Next I watered down a little White Acrylic paint, and used an old toothbrush to flick this across the inked cardstock. 
 I used only one stamp, Pines & Rocks, 195G, which I stamped in Versafine Onyx Black, varying the height of the image, and also using a ‘second imprint’ sometimes, for depth.
 Once the image was dry, I used a white gel pen to add snow detail to the trees and some of the rocks.
A while ago I made myself a tag template out of acetate, and I used this to select the area of the image I wanted for my tag.
  Once it was cut out, I punched a hole in the top and threaded some fibres through, in colours to blend with the tag. Two silver star brads finished it off. As you can see from the second picture, you could get at least three tags from an A5 sheet- perfect for multiple cards!
 By the way, for my fibres I use fancy knitting wool- you can find balls of this really cheaply, in all sorts of colours and types, and one ball will probably last a lifetime! Great idea is to share with friends- they buy one colour & you buy another, then split them.
  Thanks to everyone who commented on my first piece, I am glad so many of you liked it.
   I hope this one shows that you can get really cool results with the minimum of stamps & ink, and that you can always substitute what you already have for what someone else has used, and still get a good result.
 Quick recap then:
Pale blue pearlescent card (white would work too)
Mid grey dye ink
 3 shades of blue ink.
Black Versafine, Memento or Archival ink.
White acrylic paint.
Cheap toothbrush.
Stamp (195G Rocks & Pines)
Fibres & Brads.

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Oriental Poppy #2 Tag


The Oriental Poppy & Script image is clearly very popular, and this is a different take on the theme. I finally found out where I got this from- it was featured recently in Craft Stamper Magazine. It is Aspects of Design, Floral 01, from The Stampman. Here it is stamped on an alcohol ink background, in Black & heat embossed. I cut this into a tag, and cut a slightly larger tag from black glitter paper to matt it on to. I added a chinese coin, and the two little black sticks are cut down cocktail sticks, rolled on an embossing pad and dipped into black embossing powder, then heated! I tied a little red raffia around them, and attached them and the coin with a dab of silicone glue.A few strands of red & black fibres finished off the tag. The paper that covers the base was part of a roll I bought years ago one Christmas at the Hobbycrafts show at the NEC. I added three small coins, which have a little hanging loop at the top, so I secured them with a little bronze coloured brad. A narrow black ribbon was tied in a knot on the left side.
                        I often use a knotted ribbon when I am making a card with no particular person or occasion in mind. I think that knotted ribbon works o.k. on mens cards, whereas a bow is definitely more female. It just means I have a little more flexibility with who I can send it to. That is also why a lot of my cards have no sentiment on them- I add that when I need it.
  I seem to have my mojo back, I have been struggling to make enough time to get into my cards lately, and trying to squeeze them in just hasn’t been working for me.

WOYWW #92

 Happy Whats on your Workdesk Wednesday to everyone, if you have found this at random, pop over to the Stamping  Ground to see what its all about, and maybe join in.

 The first of the items on my desk this week is a Mothers Day card, made with an Elusive Images plate, Morning Glory.It was stamped in Memento Tuxedo Black onto an alcohol ink background, then coloured with Promarkers.The base card was covered with paper from the Papermania Antique Cream pad, the image matted onto dark blue card, then layered with foam tabs. Purple dotted organza ribbon tied around the spine. The sentiment was computer printed onto vellum, heat embossed, then
attached to blue card with heart brads.

The second card using the same stamp, this time onto a pink alcohol ink background, matted onto pink pearlescent card. A sheet from The Far East paper pad was used to cover the base card.I used black peel-offs to create the line frame around the panel, and 3 small chinese coins added to the top right corner.

The third card, this time on blue/green alcohol inks. Matted onto dark blue card.The embossed background is a Quickutz embossing folder, Diamonds & Dots, which I embossed to the width of the card by putting the folder through the ‘bug sideways.Dark blue gingham ribbon added, a sentiment stamped and matted onto an offcut of the lattice background, which was cut to a tag shape.I added some narrow blue ribbon tails, and a bow.

                                                                                

This is the card from last week with two of the fibre butterflies added. They were given anthers made from mizhuiki cord, with a tiny bead on the ends. I added a peeloff oriental sentiment, as all the stamps I have were just a little too big for the space.

The last thing I want to share with you, will probably have lots of you rushing off to your nearest branch of The Works!

I found these in there last week- tiny canvases with easel, as you can see, 99p each! The canvas measures 3 1/2 in (9cm)  x1 3/4 in(7cm), and is 1 cm thick. I have a couple of projects in mind for these, for a birthday gift later in the year. Though I shall probably get a few more, ‘just in case’, lol.

WOYWW #89


Two cards on my desk this week, both using Crafty Individuals stamps.The card on the left uses the 4 Birds stamp, CI 184, and Owl Postage, CI 225. Both were stamped onto an oil pastel background made with yellows and browns, using Staz-on black. I cut the four birds into individual images, and trimmed the owl stamp down to the postage stamp edge. I matted this onto gold card, and trimmed down to leave a border, using a stamp edge blade.  I then cut a sheet of gold card to size slightly smaller than the card front, which is an A4 sheet of cream linen card scored & folded, and used landscape format. I cut the gold card into four sections and added some matching paper from the Papermania Earthtones pack. Two panels had very narrow brown ribbon wrapped around, then all the images were put in place, sticky tabs used on the two bird images that overlap the owl. A small greeting was added to the final blank section.
The card on the right  uses CI 001, dragonfly postal stamped onto an oil pastel background made with blues & greens. A sheet from Papermanias ‘ Antique Cream’ paper pack was used to cover the front of the card, then I tore 8 strips from toning mulberry papers, and attached these in a wave across the front of the card. The stamped image was matted onto a scrap of dark blue card, and trimmed down to leave a very narrow border. Two dragonflies were made using Fusible Fibres and the dragonfly on the stamp. These were attached with silicone glue.8 small flowers were punched from pearl paper, in toning colours, and paired up, overlapping the petals, and secured with a yellow brad, again attached with silicone glue.
How to make the oil pastel backgrounds is shown on one of my pages.

I thought this may be of interest to anyone with a Tesco nearby. I went in earlier this week, and in their £1 promotion area, I found this pack of 10 DL size storage wallets, like the sort sold for storing peel-offs. I thought they would be really useful for scraps and offcuts of paper/ spare stamped images/etc, and ten for a quid is a real bargain! So much so, I think I will be getting another couple of packs when I go in again- you can never have too much storage, can you?

And talking of storage, here is how I store my brass stencils- photo albums intended for 7 x5 photos, they cost me around £2.50each, again they came from Tesco, in one of their end of line sales, I think. I have adapted some of the pockets, dividing them down the middle with a row of staples, or in some a row across the centre, then cutting a slot in the side, depending on the size/shape of the stencils.

Happy Valentines Day

I’m still with the easel cards, lol. I think I’ve got stuck here. Its nice to have more than one surface to adorn, though.This is todays Valentines card, using one of the Elusive Images Rose plates  from my desk a couple of weeks ago.Matted onto black & Burgundy card and tied with ribbon. A sheet of rose patterned paper was used to cover the card front.

  The triple embossed hearts were made by inking first with a mix of Fired Brick, Barn Door and Aged Mahogany Distress ink, then a few were stamped with a word stamp ‘LOVE’ before covering with Clear embossing ink.

 Sprinkled with UTEE, 3 layers, then some were overstamped with a swirl stamp and Gold Encore Ink.The INK IT UP Pad is my clear Embossing pad- It picked up red ink the first time I used it for this, so I keep it for Reds. These pads are really cheap- only a couple of pounds, so its no loss. The Really Useful Box with the spoon in it is my UTEE- I bought it off e-bay, loose in a bag- much cheaper than buying a branded jar.
They were attached with a few dabs of silicone glue.

For the base, I covered it in a pale gold paper stamped with a lovely Baroque style stamp, by Magenta, 26019-R.

This is the stamp, and this is what it looks like when stamped a number of times to make a larger sheet. Stamped in Gold Encore, and heat embossed with Gold detail powder.

The stopper part of the card was made by cutting a band of black paper which was punched along both sides with the Martha Stewart ‘String Lace’ Border punch, then a panel of cream card that had been stamped with Hero Arts ‘Italian Poetry’ , S1832, in Gold and heat embossed. The Valentine greeting was stamped & heat embossed  in Gold again on plain vellum, then matted onto black then burgundy card, held together with a gold heart brad either end.The panel was attached with foam pads.

As I had a few images, and quite a lot of hearts, I made up some more panels, as I think this will come in handy for Weddings/Engagements/Anniversaries.

Friends are Like Angels….

This one uses the Penny Black stamp Aspire, and it was stamped using Forest Moss distress ink on the stems, and Colorbox Cats Eye Terracotta on the flowers.The background was brayered with Adirondack Lemonade/ Sunshine Yellow/Butterscotch. The image was stamped 3 times at various heights, then cut into 3 panels, the centre one wider than the outer ones.They were matted onto a dark orange piece of card.I used the Quickutz embossing folder, Diamonds & Dots to emboss a sheet of white card, cut it to the length of the folder and twice as wide. The phrase, Friends are like angels, Hobby Art GR1353DD, was stamped in Butterscotch onto a similar piece of brayered card as the one I used for the image.This was cut out with a large Nestie Petite scalloped oval, and a matt cut out in dark brown with the largest die.The base of the card was covered in a matching sheet of paper, Papermania Earthtones pack. A butterfly brad was added to the panel before it was stuck in place.

Easel Card 1

This is the first of the Easel cards made with some of the stuff off my desk for WOYWW this week. I thought I would have a go at easels, and they are really very easy & effective. I have put a short tutorial on a page HERE for the folds and construction. The stamped panel was brayered with Adirondack Sandal, Lemonade and Citrus then left to dry. The image is called Aspire by Penny Black, and was stamped three times across the panel. I inked up the stems using Distress Forest Moss, and added the flower colour using Cats Eye Terracotta then the flowers had sparkly embossing powder added and heated. The panel was then cut into three, with the centre one being slightly larger, and matted onto dark red card. I cut my base card to the width of my stamped image, then scored and folded to create the easel.The part the card will stand on was covered in a dark green paper. I trimmed down the offcut from my card to make the panel that is the stopper.A piece of clear vellum was embossed with the D’vine Swirls Embossing Folder, cut down to slightly larger than the card panel, then edge punched with a Fiskars Heart Border punch. I added this to the panel with a small piece of DST in the centre only, where it will be hidden by the sentiment.The sentiment was stamped & heat embossed onto an offcut of the red card, then onto an offcut of the dark green paper. A silver Heart brad was added at either end. The lacy panel was adhered to the card base with foam pads, then the sentiment added to this with silicone glue, so I could angle it upwards slightly. The image panel was then added to the card ‘front’ with DST, and a butterfly made from Fusible Fibres was stuck down with silicone glue.

   TIP: to emboss vellum successfully in a cuttlebug folder, either use a very thick vellum, as it is available in different weights just like card/paper, and PDA card & paper (link in the sidebar) do a nice thick one that works well, OR if your vellum is thinner, use two/three sheets in the folder at the same time- this helps prevent the vellum from tearing, as it does not stretch in the same way card or paper will.